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Theatre The course prefix for the following courses is THEA. |
1005 | How to See a Play (4) An introduction to contemporary drama on the stage. How the printed play is translated into visual and aural images. Attendance at selected theatre events is required. Recommended for non-majors. (A) |
1010 | All the World's a Stage (4) [CAN DRAM 18] An exploration of how diverse cultures throughout history have created theatre; how representative playwrights have mirrored the concerns of their times through their plays; and how theatre artists interpret these plays. Attendance at selected theatre events is required. Recommended for non-majors. Not open to those with credit for THEA 1011. (A) |
1011 | All the World's a Stage: Gender in the Arts (4) How diverse cultures throughout history have created theatre and art; how representative artists have mirrored the concerns of their times especially concerning gender; and, how theatre artists interpret their art. Not open to those with credit for THEA 1010. |
1012 | Exploring Creativity in Theatre and Dance (3) Explorations and improvisations in solo and collaborative stage performance modes directed at releasing creative energies, expanding mental boundaries, and increasing the range of expressive means. May be repeated for credit up to a maximum of 6 units. Only 3 units applicable to major. Cross-listed with DANC 1012. Two hrs. lect., 2 hrs. act. (F or W) |
1020 | Discover Acting (3) Introduction to acting techniques to improve self-expression and observation skills. An introductory acting course designed for non-majors. Suitable as an elective for those who work with people of all ages in education, recreation, business and mass communication. (W) |
1111 | Theatre Backstage (2) Lectures and demonstrations on problems of stagecraft, costume, lights, sound, props, special effects, producing, improvisation, and dance used to create theatrical illusions. Requires simultaneous enrollment in activity: one section of THEA 3180 or 3182 for a total of four units. (F) |
2005 | Acting Fundamentals: Improvisation (3) [CAN DRAM 8] Explorations in non-scripted modes of dramatic presentation involving exercises in visual and oral expressions. Course culminates in a class-created theatre piece. Two hrs. lect., 2 hrs. act. (F) |
2015 | Acting Fundamentals: Stage Movement (2) Preparatory acting work focusing on relaxation, concentration, trust, psychology of stage space, relationships, energizing, focus, gesture, business, rhythm, and style. Four hrs. act. (W) |
2051 | Technology and Culture in Performance (4) How performing arts at various times and places portray the relationship between technology and culture, including theatre, music, dance, film, video, Web, and visual arts. Assignments relate to completion of a media project. |
2115 | Costume and Clothing Construction (2) An introduction to clothing construction with an emphasis on costumes. Basic principles of flat patterning and draping techniques for fashion and theatre. Computer patterning possible. One hr. lect., 2 hrs. act. (Alt. Y) |
2188 | Summer Theatre Workshop (2-6 units) Specialized workshop in specific performance or technical skill. Typically one to five weeks in length. Usually related to a special culminating performance or to a regular summer show. May be repeated three times for credit for a total of 24 units, with only one attempt applicable to the major. Four - twelve hrs. act. |
2211 | Asian Thought in Theatre (4) Asian thought as portrayed in Asian Performance and the role of Asian thought and performance techniques in U.S. and world theatre. |
2226 | Women in Performance (4) Roots of U.S. culture in roles of women artists, including traditional gender-based performance forms. The female body in theatre. Includes some women artists of Europe, Africa, and Pacific Rim who have influenced or been influenced by U.S. culture. |
2310 | Oral Interpretation of Literature (4) The artistic process of studying literature through performance. The critical analysis of texts and guided practice in the effective use of voice and body to communicate poetry, prose, and dramatic texts. (F) |
2311 | Children, War, and the Holocaust (4) Poetry, prose and dramatic texts about the roles of children in war. Special emphasis on WWII and Holocaust. Influences of storytelling, oral presentation, and performance techniques on both development and critical analysis of literature. |
3000 | Theory of Theatre Performance (4) A series of theatre activities to demonstrate the nature and execution of theatre performance. Combines improvisation, physicalization of subtext, creative dramatic techniques, and explorations of collaborative performance. Three hrs. lect., 2 hrs., activity. |
3010 | Acting and Directing Studio (4) Exercise and seminars for improving performers; development of artist's self-diagnostic tools; strategies for academic and career development. Open to those with performance background and interest in performance options. Two hrs. lect., 4 hrs. act. (F) |
3012 | Advanced Acting: Scene Study (3) Acting with script using textual and subtextual methods. May be repeated once for credit with different instructor, but only 3 units may be applied to the major. Prerequisites: THEA 3011, 3210. Six hrs. act. (W) |
3013 | Advanced Acting: Characterization (3) Methods of building character through research, bio-data, and script analysis. May be repeated once for credit with different instructor, but only 3 units may be applied to the major. Prerequisites: THEA 3011, 3012, 3210. Six hrs. act. (Sp) |
3014 | Truthful Acting (3) Advanced techniques for acting believably and with powerful personal involvement in situation and character. Prerequisites (may be taken concurrently): THEA 1020 or 2005. Two hrs. disc., 2 hrs. act. |
3020 | Musical Theatre Technique (3) Exercises in song interpretation for musical comedy purposes, including familiarity with various song structures. Open to non-majors. May be repeated four times for credit for a total of 15 units, with only 3 units applicable to the Theatre major. Two hrs. lect., 2 hrs. act. (Y) |
3030 | Acting Skills for Business and Systems Management (4) Creative methods for viewing situations from all sides, reaching conclusions, developing positions, and communicating views effectively. Roles managers play in collaboratively developing plans of action including those for sales and project development. Creative communication strategies. Three hrs. lect., 2 hrs. act. (Y) |
3050 | Teleplay Acting and Production Workshop (4) Producing original television movie for cable broadcast. Primarily advanced camera acting techniques, includes some studio operation. Some roles may be assigned during previous quarter to students in THEA 3052. May be repeated once for credit. Two hrs. lect., 4 hrs. act. |
3052 | Acting for the Camera (4) Acting in television drama; preparation for interviews and other television appearances. Prepares students for acting and production opportunities in CSUH creative video courses. Recommended preparation: THEA 1020, THEA 2005, COMM 3100, or ENGL 3077. May be repeated once for credit. |
3061 | Period Acting (2) Stylized acting technique applicable to works from selected periods and locales. Emphasis on Western, but includes content from at least one non-Western genre. Consult instructor about specific content. Repeatable for credit; maximum of 4 units applicable to major. Prerequisite: any lower-division acting course. Four hrs. act. |
3062 | The Acting Profession (2) Acting as a career. Guest speakers and visits to theatres. Prepare audition material. Nominated students may prepare for regional theatre festival. Repeatable for credit; maximum of 4 units applicable to major. Prerequisite: one lower-division acting course. Four hrs. act. |
3111 | Stagecraft Techniques (4) An introduction to stage scenery. Building a basic set and drawing an appropriate floor plan are emphasized. Included are production techniques related to actors, directors, technicians, and designers. Open to non-majors. Two hrs. lect., 4 hrs. act. (F) |
3112 | Costume Techniques (4) An introduction to stage costuming. Basic principles of costume design, construction, research methods, and rendering techniques are emphasized. Open to non-majors. Two hrs. lect., 4 hrs. act. (W) |
3113 | Lighting and Sound Techniques (4) An introduction to stage lighting and sound. Lighting segments emphasize recognizing, hanging, focusing, and operating light instruments. Sound segments emphasize recording and sound design concepts. Open to non-majors. Two hrs. lect., 4 hrs. act. (Sp) |
3170 | Technical Production (4) Case studies in technical theatre production, including research, visualization, material selection, construction, and finishing. Scenery, rigging, and props. Open to non-majors. Repeatable. Two hrs. lect., 4 hrs. act. (Alt. F) |
3180 | Theatre Workshop: Technical or Costume (2) Production participation in costume and scene shops preparing all technical elements of shows. May be repeated for credit up to a maximum of 10 units. Cross-listed with DANC 3180. Four hrs act. (F, W, Sp) |
3181 | Theatre/Dance Workshop: Performance (1) On-stage participation in departmental productions. Open to all students who successfully audition. Enrollment in THEA/DANC 3180 may be required. Cross-listed with DANC 3181. May be repeated for credit up to a maximum of 6 units. Three hrs. perf. minimum. (F, W, Sp) |
3182 | Theatre Workshop: Production Crew (2) Production participation on stage crew, including lights, sound, dressing, makeup, followspot, flys, props, etc. May be repeated for credit up to a maximum of 6 units. Cross-listed with DANC 3182. Four hrs. act. (F, W, Sp) |
3183 | Theatre Workshop: Production Staff (3) Practicum in design and production management for directors, designers, stage managers and crew heads, including development of portfolio. May be repeated for credit up to a maximum of 12 units. Six hrs. act. (F, W, Sp) |
3184 | Theatre Workshop: Festival Production (2) Preparation and participation in a significant administrative or technical assignment. May be repeated for credit up to a maximum of 6 units. Four hrs. act. (W) |
3185 | Theatre Workshop: Studio Production (2) Production participation in special show, including both acting and technical assignments. May be repeated for credit up to a maximum of 8 units. Four hrs. act. |
3189 | Production Practicum (4) Participation in cast, crew, and construction of department production. Requires rehearsal, construction, tech/dress rehearsals, and performance or crew. May be repeated for credit up to a maximum of 12 units. Twelve hrs. perf. minimum. (A) |
3201 | Classical Greek and Roman Drama (4) The historic development of early classical drama from the Greek period through the Roman, including the study of representative plays, theatre architecture, and production. Individual research on selected topics. (Alt. Y) |
3202 | European Medieval and Renaissance Drama (4) The historic development of European drama from the Medieval period through the Italian Renaissance, Elizabethan period, and 17th Century, including the study of representative plays, theatre architecture, and production. Individual research on selected topics. (Alt. Y) |
3203 | Modern European Drama (4) The historic development of European drama from 1800 to the present, including study of representative plays, physical aspects of the theatre, and production practices. Individual research on selected topics. (Alt. Y) |
3207 | Modern American Theatre (4) Study of representative American playwrights and their theatre from 1920 to the present. Individual research on selected topics. (Alt. Y) |
3208 | Postmodern Theatre (4) Development of postmodern theatre with its emphasis on the mixing of different styles and periods, its interspersing of multiple meanings in a text performance, and its self-consciousness about performance itself. Individual research on selected topics. (Alt. Y) |
3210 | Script Analysis: The Western Tradition (4) Literary, textual, and structural analysis of plays for production, especially aspects involving play selection, dramaturgy, design, and visualization. Use of self-examination techniques. Individual research on selected topics. Open to students with experience attending plays. (F) |
3216 | History of Musical Theatre (4) Musical theatre from 1866 to the present; 19th-century minstrel and variety shows; the theatre of social change in the 20's and 30's; and "concept" musicals after 1970. Requires theatre attendance. |
3225 | Theatre Today (4) Methods for developing a critical viewpoint on theatrical production through observation and analysis of production elements. Includes historical perspectives. Attendance at a variety of theatre events is required. May be used as major elective by advisement only. (F, Sp) |
3228 | Women in Dramatic Literature (4) Classic heroines and villains in world drama, including Medea, Lady Macbeth, and Miss Julie. Investigation of the profound and often contradictory view of women as seen by the world's greatest dramatists. Recommended for non-majors. (Alt. Y) |
3230 | Shakespeare on Film (4) Selected plays of Shakespeare shown on film in class. Discussion of literature, interpretations, techniques and concepts of plays as adapted for film and historic setting. Attendance at one live performance may be required for comparative purposes. |
3232 | Modern Art and Theatre (5) Survey of art and theatre from late 19th century to present, from Realism to Post-Modernist performance. Includes excursions to performances and art venues. |
3233 | Modern Philippine Dramatic Literature and Styles (4) Philippine/Filipino-American dramatic literature as a reflection of Philippine history, social tensions, and political issues; the Filipino-American experience in drama; post-colonial critique of substance and aesthetics in original and translated dramatic texts. |
3310 | Interpretation of Women's and Ethnic Literature (4) Research, selection, and analysis of literature contributing to U.S. culture by women and ethnic minorities. Rehearsal and performance as Readers' Theatre. Two hrs. lect., 4 hrs. act. (W) |
3311 | Filipino Theatre (4) A beginning to intermediate practicum in theatre of the Philippines. Literature, acting, and theatrical aspects; includes a performance. Repeatable once for credit. Two hrs. lect., 4 hrs. act. (Alt. Y) |
3315 | Multicultural Theatre Troupe (4) Techniques for performing before multicultural audiences. Oriented for non-majors. Involves off-campus shows. Two hrs. discussion, 4 hrs. act. |
3320 | Improvisation Performance Group (3) Perfecting "theatre sports," comedy improv, and serious topical improvisation styles for public performances on campus and at local colleges, high schools, and other organizations. Previous improv experience . May be repeated for credit up to a maximum of 6 units. Only 3 units applicable to major. Six hrs. act. (W or Sp) |
3418 | Stage Makeup I (2) A study of the theories of stage makeup, with practical experience in the application of these theories. One hr. lect., 2 hrs. act. (W) |
3422 | History of Costume (4) The historic development of Western costume from Egyptian to modern styles. (Alt. Y) |
3423 | Non-Western Costume (4) The development of non-Western clothing and costume. The important influences of Chinese, Japanese, Indonesian, Indian, and African clothing on all cultures. Recommended for nonmajors. (Alt. Y) |
3424 | Scene Painting and Graphic Language (4) Exploration of methods of scenic painting. Problems in rendering, models, and full scale painting using scenic color media, texture treatment, and light and shadow techniques. Two hrs. lect., 4 hrs. act. (Alt. Y) |
3425 | Visual Arts for the Theatre (4) The aesthetics and practice of sceneography, lighting, and costume in theatre including dance, opera, and drama. Basic techniques of drawing, painting, model building, research, and light plots. Prerequisites: THEA 2111, 2112, 2113, or consent of instructor. Two hrs. lect., 4 hrs. act. (Alt. Y) |
3485 | Voice on Stage (2) Resonance, articulation, voice color, projection, pitch, and rate exercises for better voice use in stage presentation. Covers techniques for acting, media work, teaching, and business. Four hrs. act. (Sp) |
3486 | Stage Dialects (2) Dialects appropriate to dramatic literature of the English language. Consult instructor about specific dialects. Repeatable for different dialects; maximum of 4 units applicable to major. Four hrs. act. |
3487 | Voice for Shakespearean and Period Theatre (2) Vocal techniques required for speaking in Shakespearean and other period plays. Four hrs. act. |
3610 | Interpretation of Children's Literature and Story Telling (4) Techniques of story telling; selection and practice in reading poetry and prose for children. Suggested for elementary teachers and theatre majors. Two hrs. lect., 4 hrs act. (Alt. F, Su) |
3650 | Dramatic Activities for Children (4) Creative dramatics as a tool for building and developing the creative capacities of children. Includes theatre games, improvisation, puppetry, mask making, and other drama activities. Two hrs. lect., 4 hrs. act. (Y) |
3660 | Children's Theatre Performance (4) Theory and techniques of producing theatre for children, including preparation and rehearsal for annual production. May be repeated for credit up to a maximum of 6 units. Majors may substitute 8 units of THEA 3660 for either THEA 3180 or 3181. Two hrs. lect., 4 hrs. act. (W) |
3898 | Cooperative Education (1-4) Supervised work experience in which student completes academic assignments integrated with off-campus paid or volunteer activities. May be repeated for up to 4 units. A maximum of 4 units will be accepted toward the Theatre Arts major; a maximum of 4 units will be accepted toward the Theatre minor. Prerequisites: at least a 2.0 GPA; departmental approval of activity. (A) |
3999 | Issues in Theatre (4) Readings, discussion, and research on contemporary and/or significant issues in theatre. May be repeated for credit when content varies. |
4021 | Play Direction: Sign and Symbol Theory in Production (4) Signs and symbols for use in production elements and fundamental play direction. Scrutiny of arts and myth, as well as experiments in deconstruction, collage, and mise en scene. Majors must have senior standing, others require permission of instructor. Two hrs. lect., 4 hrs. act. (W) |
4022 | One-Act Production (4) Exercises in communication among directors, designers, and actors. The development of manifestos, points-of-view, and production concepts. Production methods and actual production. Two hrs. lect., 4 hrs. act. (Sp) |
4188 | Summer Repertory Theatre (8) Participation both on and off stage in the various aspects of play production. This program will usually involve three productions. May be repeated three times for credit for a total of 32 units, with only 8 units applicable to the Theatre major. Twenty-four hrs. lab. (Su) |
4375 | Ethnic and Immigrant Theatre in the United States (4) How ethnic groups have used theatre as a secular ritual, a means of self-expression, and as a search for identity. Most attention to the theatre of African, Asian, and Latin Americans; Yiddish and Italian immigrants also covered. Particular emphasis on local theatre companies, including visits to see their productions. |
4418 | Advanced Makeup and Maskmaking (2) Advanced study of makeup for the theatre. Special makeup effects and mask making, including construction techniques. Use of masks as visual art. Mask techniques for teachers. May be repeated once for credit. One hr. lect., 2 hrs. act. (Alt. Y) |
4445 | Arts and Management: Issues and Practice (4) The principles of management with emphasis on theatre. House management, publicity, box office, ticket sales, business procedures, contracts and theatrical unions. Commercial and non-profit formats are compared. Students simulate starting their own theatre organization. (W) |
4446 | Grant Writing (2) Research and funding criteria, government and private sources, application process, as well as pointers and pitfalls. Nonprofit organizational structure issues related to grants. Final project involves writing a real grant. (Alt F) |
4450 | Internship Seminar in Applied Arts Administration (2) Opportunity to integrate arts and administration coursework with observations made during internship experiences. Discussion and writing concerning how administrative processes vary between arts and organizations. Approved internship or similar experience must be in progress or completed. Repeatable for credit, only four units applicable to Arts Administration major. Cross-listed with Art and Music. (W, Sp) |
4801 | Topics in Theatre Performance (4) Performance-related topics in acting, movement, dance, voice, design, or technical theatre. May be repeated when content varies. Some topics by audition; contact instructor in advance. Two hrs. lect., 4 hrs. act.. |
4900 | Independent Study (1-4) |
Dance The course prefix for the following courses is DANC. |
1002-1031 | Beginning Technique Classes (1 each) Each course may be repeated only once. Two hrs. act.
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| 1002 | Country Western Line Dance |
| 1003 | Folk Dance |
| 1016 | Brazilian Samba and Afro-Brazilian Dance |
| 1019 | African Dance |
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1012 | Exploring Creativity in Theatre and Dance (3) (See THEA 1012 for course description.) |
1121-1193 | Beginning Technique Classes (1 each) Beginning dance techniques. Audition during first meeting to take course out of sequence. Not open to those with two units of credit for former courses in the same technique in the DANC 1000 series. Two hrs. act.
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| 1121-2-3 Beginning Latin Dance I, II, III 1131-2-3 Beginning Hip Hop Dance I, II, III 1141-2-3 Beginning Modern Dance I, II, III 1161-2-3 Beginning Capoeira I, II, III 1171-2-3 Beginning Jazz Dance I, II, III 1181-2-3 Beginning Ballroom Dance I, II, III 1191-2-3 Beginning Ballet Dance I, II, III |
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2003 | Intermediate Folk Dance (1) May be repeated only once. Two hrs. act. |
2020 | Rhythm and Music for Dance (2) Study and exploration of common rhythmic and musical forms used for dance accompaniment. Composition of and improvisation to simple rhythmic scores. One hr. lect., 2 hrs. act. (Sp) |
2022 | Contemporary Musical Theatre Dance (2) Survey of dance in the contemporary musical. Both historical and contemporary choreographers and their influences within the context of musical theatre repertory. Open to all students with at least one year of dance training. Repeatable once for credit. One hr. lect., 2 hrs. act. |
2023 | Dance Fitness (2) Conditioning the body through the use of weights, both free and Nautilus. Proper stretching techniques and dietary considerations. Repeatable for credit. Four hrs. act. |
2030 | Fundamentals of Modern Dance (2) Students will be given opportunity to work on modern dance technique, improvisational skills and repertory. There will be a focus on the development of individual styles and performance techniques. Four hrs. act. |
2131-2193 | Intermediate Technique Classes (1 each) Intermediate dance techniques. Requires one year of beginning technique or instructor's permission. Audition during first meeting to take course out of sequence. Not open to those with two units of credit for former courses in the same technique in the DANC 2000 series. Two hrs. act.
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| 2131-2-3 Intermediate Hip Hop Dance I, II, III 2141-2-3 Intermediate Modern Dance I, II, III 2161-2-3 Intermediate Capoeira I, II, III 2171-2-3 Intermediate Jazz Dance I, II, III 2181-2-3 Intermediate Ballroom Dance I, II, III 2191-2-3 Intermediate Ballet Dance I, II, III |
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3021 | Cultural Dance Forms (3) Provides research skills and movement activities to inspire cross-cultural appreciation through dance. Audio-visual used to analyze, compare and contrast elements such as rhythm, symbolism, religion, dress, form, and function. Students share personal experiences and customs. Repeatable once for credit. Two hrs. lect., 2 hrs. act. |
3022 | Improvisation and Beyond (3) Exploration of movement through improvisational techniques leading to dance making. Stepping stones to the development of choreography and performance. Fosters a supportive atmosphere while crafting dances through an individual approach. Six hrs. act. |
3026 | Jazz and Modern Dance (2) Jazz and modern dance technique with repertory experience. Students will have experience in both styles and learn repertory. Performances at the end of quarter. Four hrs. act. |
3030 | Integrating Dance and Theatre (3) Integrating modern dance with theatre techniques; creating text and performance pieces. Culmination performance. Repeatable for credit; 3 units applicable to major. One hr. lect., 4 hrs. act. |
3141-3173 | Advanced Technique Classes (3 each) Advanced dance techniques. Requires one year each of beginning and intermediate technique or instructor's permission. Audition during first meeting to take course out of sequence. Not open to those with two units of credit for the same technique in former DANC 3000 series. One hr. lect., 4 hrs. act.
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| 3141-2-3 Advanced Modern Dance I, II, III 3171-2-3 Advanced Jazz Dance I, II, III |
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3180 | Theatre Workshop - Technical or Costume (2) (See THEA 3180 for course description.) |
3181 | Theatre/Dance Workshop-Performance (1) (See THEA 3181 for course description.) |
3182 | Theatre Workshop - Production Crew (2) (See THEA 3182 for course description.) |
3210 | Movement Analysis and Awareness (3) A qualitative approach to classifying and recording functional and expressive movement based on the effort/shape concepts of Rudolph Laban. A systematic observation and analysis of human movement through individual and group exploration. Elements of time, space, force and flow emphasized. May be repeated once for credit by post-baccalaureate students who have taken the course as undergraduates. Two hrs. lect., 2 hrs. act. (F) |
3215 | Dance Touring I (3) Beginning choreography, repertory and performance techniques. Produce original dances and perform in touring dance company, especially at local schools. Audition at first meeting for placement. One hr. lect., 4 hrs. act. |
3216 | Dance Touring II (3) Intermediate choreography, repertory and performance techniques. Produce original dances and perform in touring dance company, especially at local schools. Audition at first meeting for placement. One hr. lect., 4 hrs. act. |
3217 | Dance Touring III (3) Advanced choreography, repertory and performance techniques. Produce original dances and perform in touring dance company, especially at local schools. Audition at first meeting for placement. One hr. lect., 4 hrs. act. |
3220 | Dance Performance, Composition and Production I (3) Introduction to basic compositional dance forms. Exploration, improvisation, selection and organization of choreographic material. May be repeated once for credit. Six hrs. act. (F) |
3235 | Dance for Children (4) Theory and techniques for developing movement and expressive capabilities of the child through dance participation. Opportunities to work with children are provided. Prerequisite: beginning level dance course (e.g. DANC 1000 series) or consent of instructor. Three hrs. lect., 2 hrs. act. (F) |
3241 | The Dance Experience (3) Study of dance theory and its development as a creative form and process; exploration of various dance forms, techniques and methods. Two hrs. lect., 2 hrs. act. (W) |
3426 | Collaborative Dance and Theatre (3) Collaborative theatre techniques to develop and produce a Spring Concert. Dance, music, and theatre utilized in the production with attention to the development of original score, choreography and text. Repeatable for credit. One hr. lect., 4 hrs. act. |
3440 | Modern Technique (3) Intermediate and advanced skills in modern dance technique, improvisation and repertory. Attention given to development of individual styles and performance techniques. One hr. lect., 4 hrs. act. |
3999 | Issues in Dance (4) Readings, discussion, and research on contemporary and/or significant issues in dance. May be repeated for credit when content varies. |
4200 | Dance through the Ages (4) The history and evolution of dance from its anthropological and religious sources to the Renaissance period, i.e., preliterate cultures, ancient civilizations, medieval, and Renaissance periods. (Alt. Sp) |
4201 | Dance in Modern Society (4) The development of dance from the post-Renaissance period to the present, i.e., modern dance, black dance, men in dance, social dance, musical theatre and avant garde. Social, political, psychological, and spiritual influences. (Alt. Sp) |
4220 | Dance Performance, Composition and Production II (3) Advanced work in compositional dance forms. Development of skills in group choreography and performing techniques. Emphasis on choreography as a creative art process. May be repeated once for credit. Prerequisite: DANC 3220 or consent of instructor. Six hrs. act. (W) |
4235 | Children's Dance: Curriculum and Instruction (4) Advanced theory and techniques for teaching dance to children. Gardener's Multiple Intelligences for curriculum development and assessment tools; California Visual and Performing Arts Framework; cross-curriculum lesson planning; and a research project on creativity theory. Prerequisite: DANC 3235. Three hrs. lect., 2 hrs. act. (Sp) |
4900 | Independent Study (1-4) |